The story begins 12 years after the end of the BBC series "Musketeers". It maintains the plot-lines and characters of that series and develops them further, adding new characters but also returning to the Dumas source material and bringing in historical events and characters. Our story has four partsPart I-Twelve Years After: available on Archive … Continue reading Twelve Years After: The Story
Chapter Twenty Nine-Stand to face me beloved, by Mordaunt
Stand to face me beloved… …and open out the grace of your eyes (Sappho 138, transl. Anne Carson) “Where is Raoul?” Athos storms into the hall of Glénay. If there is a footman at the door or servants in the hall he does not see them. What Lucien and Aramis are saying as they walk … Continue reading Chapter Twenty Nine-Stand to face me beloved, by Mordaunt
Chapter Twenty Seven-Secret Sins, by Mordaunt
He is accosted by children the moment he walks inside, even before the footman closes the door. Rowdy children, breathlessly speaking over each, and dancing around him with excitement. “Raoul you are here too!” “ It was snowing and we travelled all together in the wagon!” “Then the bad men came!” “Samy, Alexandre, and I … Continue reading Chapter Twenty Seven-Secret Sins, by Mordaunt
Songs and Music for the Masked Soiree at Zola’s
What is the music that Raoul and Valentine’s guests enjoy at the masked soiree at Zola’s? In order of appearance: Dove ne vai, crudeleDove ne vai, crudele,E non fuggire,O di mio beneL’aspre mie pene,Che se fai vaga,De la mia pega,Volge tuo squardiCh’al cor son dardi.Torna, torna crudele,E non fuggire. Dove mi lasci,E non partire,Tem’il … Continue reading Songs and Music for the Masked Soiree at Zola’s
Chapter Twenty Six-Intentions Unmasked, by Mordaunt
In the crowded, luminous hall outside, the undulating din of laughter, chatter, and tinkling glasses subsides. A melodious voice is singing: Dove ne vai, crudele,E non fuggire,O di mio beneL’aspre mie pene,Che se fai vaga,De la mia pega,Volge tuo squardiCh’al cor son dardi.Torna, torna crudele,E non fuggire. The handsome masked foreigner seated across from Raoul … Continue reading Chapter Twenty Six-Intentions Unmasked, by Mordaunt
Chapter TwentyThree- Tempting Venus, by Mordaunt
“What is all this?” Captain Marchal is not in a good mood. He removes his hat and gloves and throws his muddied cloak on a chair upon entering his office. He and his men have just returned from Royaumont riding all night in freezing rain, the roads treacherous, all slush and dirt. The pile of … Continue reading Chapter TwentyThree- Tempting Venus, by Mordaunt
Chapter Twenty One-Desperate Ruse, by Mordaunt
When she was younger, Catherine de Renard sought her mother in the faces of lay sisters and nuns knowing well her mother chose God over her daughter. Many years later, Catherine no longer remembers her mother’s face, only being abandoned when she was eleven. The lay sister from the Benedictines of Abbaye aux Dames in … Continue reading Chapter Twenty One-Desperate Ruse, by Mordaunt
Who was Athos de la Fére?
As we explain with a different post, Dumas’ Three Musketeers is based on a romance, a pseudo-memoir about the historical d’ Artagnan—Charles de Batz de Castlemore d’ Artagnan—written by an almost contemporary of his, Gatien Courtliz de Sandras. It was Dumas, however, who fleshed out, and "gave life" to the “Four Inseparables”, the "Three Musketeers" … Continue reading Who was Athos de la Fére?
Chapter Seventeen-Intermezzo, by Mordaunt
Zwischenzug, Intermezzo, or in-between move is a chess tactic, whereby a player instead of the expected move, interposes another move that is an immediate threat, thus forcing the opponent to respond, and only then plays the expected move. No one knows when the first intermezzo was played, but it must have been played long before … Continue reading Chapter Seventeen-Intermezzo, by Mordaunt
Gatherings of Equal Minds: Ruelle, Salon, and the Chambre Bleue of Madame de Rambouillet
Réunion de dames, Abraham Bosse, 17th century The kind of gathering called “salon” first appeared in Italy in the 16th century, but developed in France throughout the 17th and 18th centuries. Alongside fostering political and social alliances and exchanges, the purpose of such gatherings of “equal minds” adhered to Horatio’s definition of the purpose of … Continue reading Gatherings of Equal Minds: Ruelle, Salon, and the Chambre Bleue of Madame de Rambouillet
