At Fontainebleau, the King is irritable and quick to take offense. Everything displeases him, beginning with the weather. Too many summer storms have been interrupting the garden fêtes, and spoiling the riding parties. The hunts have been disappointing and unrewarding. Even the ballet inspired by French proverbs, ardently promoted by Monsieur de Saint-Aignan, has turned … Continue reading Chapter Ninety-Eight, House of Bourbon, by Mordaunt
Chapter Sixty-Four, When the Devil Whispers Sweetly, by Mordaunt
Aramis will step no further than the threshold of the cell at Val de Grâce, where they meet in secret. He raises his hand: “Anne, please, you must keep away. This is as close as I dare come.” “I will do no such thing,” Queen Anne reaches for his hands. “I survived this infernal plague … Continue reading Chapter Sixty-Four, When the Devil Whispers Sweetly, by Mordaunt
Chapter Sixty-Three, Contratempo, by Mordaunt
In 17th c. Italian fencing, contratempo meant an attack whereby the tempo for offensive action was the opponent’s own attack. It is a sophisticated technique of timing so that offensive action happens precisely when the opponent thinks they have an opening, thus turning their own tempo against them. ⚜️⚜️⚜️⚜️ "Halte!” M. Beauchamps, the King’s young … Continue reading Chapter Sixty-Three, Contratempo, by Mordaunt
Chapter Fifty, The Price of Clarity, by Mordaunt
Faites votre devoir, et laissez faire aux dieux.(Do your duty and leave the rest to Heaven) Pierre Corneille, Horace, Act II, Scene III (1639 Aramis does not stay at Noisy-le-rois as he planned. He rides back to Paris with Louis. “Not to Versailles, no I will not make it easy for you,” Louis pushed, “I … Continue reading Chapter Fifty, The Price of Clarity, by Mordaunt
Chapter Forty-Three, Smothered Mate, by Mordaunt
In chess, a “smothered mate” is a checkmating method whereby it is necessary to sacrifice pieces to smother (surround) the king so he is unable to move. The method is known since the 15th century, and was described in Luis Ramírez de Lucena’s (c. 1465 – c. 1530) book Repetición de Amores y Arte de … Continue reading Chapter Forty-Three, Smothered Mate, by Mordaunt
Duchess de Chevreuse
1. Attributed to Claude Deruet , Portrait of Marie de Rohan, Duchess of Chevreuse (1600-1679) as Diana the Huntress (circa 1627), Palace of Versailles; 2. Marie with her son Louis Charles; she poses as Diana and her son as Hercules; 3. Entourage of Daniel Dumonstier , Portrait of Marie de Rohan, Duchess of Luynes (circa … Continue reading Duchess de Chevreuse
Chapter Eleven-Artful Retreat, by Mordaunt
I am your King, Monsieur! If he were still the man Captain d’ Artagnan recruited, impressionable and awestruck by the Musketeer legends, Fabien Marchal would have sought the counsel of Captain d’ Artagnan, whom he revered, and those he called his trusted friends: M. de Rohan, Layla Grimaud, and Raoul. But Fabien Marchal has outgrown … Continue reading Chapter Eleven-Artful Retreat, by Mordaunt
Twelve Years After 