In 17th c. Italian fencing, contratempo meant an attack whereby the tempo for offensive action was the opponent’s own attack. It is a sophisticated technique of timing so that offensive action happens precisely when the opponent thinks they have an opening, thus turning their own tempo against them. ⚜️⚜️⚜️⚜️ "Halte!” M. Beauchamps, the King’s young … Continue reading Chapter Sixty-Three, Contratempo, by Mordaunt
Chapter Fifty, The Price of Clarity, by Mordaunt
Faites votre devoir, et laissez faire aux dieux.(Do your duty and leave the rest to Heaven) Pierre Corneille, Horace, Act II, Scene III (1639 Aramis does not stay at Noisy-le-rois as he planned. He rides back to Paris with Louis. “Not to Versailles, no I will not make it easy for you,” Louis pushed, “I … Continue reading Chapter Fifty, The Price of Clarity, by Mordaunt
Chapter Forty-Eight, Fatherhood, by Mordaunt
At the Sign of L’ Espee, the inn at Tours used by officers on royal duty, M. Morant and his three comrades returning with the royal correspondence from Rennes, La Rochelle, and Bordeaux are ready to depart for Paris. “Are you certain, Your Grace?” M. Morant knows not to insist when faced with opposition by … Continue reading Chapter Forty-Eight, Fatherhood, by Mordaunt
Chapter Forty-Three, Smothered Mate, by Mordaunt
In chess, a “smothered mate” is a checkmating method whereby it is necessary to sacrifice pieces to smother (surround) the king so he is unable to move. The method is known since the 15th century, and was described in Luis Ramírez de Lucena’s (c. 1465 – c. 1530) book Repetición de Amores y Arte de … Continue reading Chapter Forty-Three, Smothered Mate, by Mordaunt
Chapter Twenty Six-Intentions Unmasked, by Mordaunt
In the crowded, luminous hall outside, the undulating din of laughter, chatter, and tinkling glasses subsides. A melodious voice is singing: Dove ne vai, crudele,E non fuggire,O di mio beneL’aspre mie pene,Che se fai vaga,De la mia pega,Volge tuo squardiCh’al cor son dardi.Torna, torna crudele,E non fuggire. The handsome masked foreigner seated across from Raoul … Continue reading Chapter Twenty Six-Intentions Unmasked, by Mordaunt
Chapter Seventeen-Intermezzo, by Mordaunt
Zwischenzug, Intermezzo, or in-between move is a chess tactic, whereby a player instead of the expected move, interposes another move that is an immediate threat, thus forcing the opponent to respond, and only then plays the expected move. No one knows when the first intermezzo was played, but it must have been played long before … Continue reading Chapter Seventeen-Intermezzo, by Mordaunt
Duchess de Chevreuse
1. Attributed to Claude Deruet , Portrait of Marie de Rohan, Duchess of Chevreuse (1600-1679) as Diana the Huntress (circa 1627), Palace of Versailles; 2. Marie with her son Louis Charles; she poses as Diana and her son as Hercules; 3. Entourage of Daniel Dumonstier , Portrait of Marie de Rohan, Duchess of Luynes (circa … Continue reading Duchess de Chevreuse
Chapter Eleven-Artful Retreat, by Mordaunt
I am your King, Monsieur! If he were still the man Captain d’ Artagnan recruited, impressionable and awestruck by the Musketeer legends, Fabien Marchal would have sought the counsel of Captain d’ Artagnan, whom he revered, and those he called his trusted friends: M. de Rohan, Layla Grimaud, and Raoul. But Fabien Marchal has outgrown … Continue reading Chapter Eleven-Artful Retreat, by Mordaunt
Chapter Four- Artful Diversions, by Mordaunt
From a young age he was taught to steer his way blindfolded through labyrinths. He has honed the skill at great cost, first navigating through the vagaries of court intrigue, a foreigner and the Dauphin’s favorite, then faced with the brutal realities of war, and later escaping the deadly labyrinths of Fez, and the treacherous … Continue reading Chapter Four- Artful Diversions, by Mordaunt
Ballet Royal de la Nuit
costume of Louis XIV as apollo in the Ballet Royal de la Nuit. costumes by henri de Gissey (c.1621-1673) Louis XIV, indeed recited these verses on February 23,1653 at the Ballet Royal de la Nuit, written by Isaac de Benserade. The music for the ballet was written by Jean de Cambefort, Jean-Baptise Boesset, Michel Lambert, … Continue reading Ballet Royal de la Nuit
Twelve Years After 