At Fontainebleau, the King is irritable and quick to take offense. Everything displeases him, beginning with the weather. Too many summer storms have been interrupting the garden fêtes, and spoiling the riding parties. The hunts have been disappointing and unrewarding. Even the ballet inspired by French proverbs, ardently promoted by Monsieur de Saint-Aignan, has turned … Continue reading Chapter Ninety-Eight, House of Bourbon, by Mordaunt
Chapter Eighty-Seven, The Riddle of Rochefort, by Corso
…Glenay… He is still holding her hand, carrying the lantern in his other hand as they enter the house and go up the stairs. Lucien turns toward their bedchamber when he feels her hand slip from his. “What?” he says moving back to her. “Come with me.” She turns in the opposite direction. “Shall I … Continue reading Chapter Eighty-Seven, The Riddle of Rochefort, by Corso
Chapter Seventy-Nine, Jeu de la Bête, by Mordaunt
Jeu de la Bête was a 17th c French trick-taking card game, derived from the earlier (16th c) Spanish game Ombre (Homme, in French). It is named after the bête (beast), a term that referred to the penalty for failing to take the required number of tricks or for various infringements. The silence that envelops … Continue reading Chapter Seventy-Nine, Jeu de la Bête, by Mordaunt
Chapter Seventy-Five, Le Mat d’ Escalier (Two-Rook Checkmate), by Mordaunt
Leaving Glénay is not easy. There is too much uncertainty for those Raoul and Marie Cessette leave behind. There is too much uncertainty for the two of them also, even though neither has revealed the true extent of their concerns to their loved ones. At the courtyard of Glénay they say their last farewells, full … Continue reading Chapter Seventy-Five, Le Mat d’ Escalier (Two-Rook Checkmate), by Mordaunt
Chapter Sixty-Four, When the Devil Whispers Sweetly, by Mordaunt
Aramis will step no further than the threshold of the cell at Val de Grâce, where they meet in secret. He raises his hand: “Anne, please, you must keep away. This is as close as I dare come.” “I will do no such thing,” Queen Anne reaches for his hands. “I survived this infernal plague … Continue reading Chapter Sixty-Four, When the Devil Whispers Sweetly, by Mordaunt
Chapter Sixty-Three, Contratempo, by Mordaunt
In 17th c. Italian fencing, contratempo meant an attack whereby the tempo for offensive action was the opponent’s own attack. It is a sophisticated technique of timing so that offensive action happens precisely when the opponent thinks they have an opening, thus turning their own tempo against them. ⚜️⚜️⚜️⚜️ "Halte!” M. Beauchamps, the King’s young … Continue reading Chapter Sixty-Three, Contratempo, by Mordaunt
Twelve Years After 